The Vaping Friar

*NOTE* Side B gap between Victor & Swamp text.

Phonographic Copyright ℗ – RCA Records
Published By – Chappell
Published By – Essex
Manufactured By – RCA Limited, Australia

Australian issue with orange RCA Victor labels.

Publishers
Side A : Chappell
Side B : Essex

Matrix / Runout (Side A Label Printed): APBO-0196A*
Matrix / Runout (Side B Label Printed): APBO-0196B*
Matrix / Runout (Side A Stamped ): APBO 0196A A 1 A 7
Matrix / Runout (Side B Stamped ): APBO 0196B A 1 A 7
Other (Printers code on sleeve rear): A3.74B

German sleeve, white Promo Labels

Rights Society: GEMA

Record Company – RCA, S.A.
Published By – Tennessee Swamp Fox Music, Inc. White Haven Music Inc. George Paxton Corp.
Arranged By [Arreglos de Cuerdas] – Glen Spreen

Publishers
Side A:Tennessee Swamp Fox Music, Inc. / White Haven Music Inc.
Side B: George Paxton Corp.

Matrix / Runout (Side A): APBO-0196 A/N1
Matrix / Runout (Side B): APBO-0196 B/N1
Rights Society: SGAE

Made By – RCA Limited

Reissue. “Memories of Elvis Series RCA Records” sticker on shrink wrap. Tan RCA Victor labels.

Matrix / Runout (Side A etch): TX0 CPL1-0475 A
Matrix / Runout (Side B etch): TX0 CPL1-0475 B

Manufactured By – RCA S.p.A.
Record Company – RCA Corporation
Pressed By – RCA Records Factory, Italy
Engineer – A. Pachucki*, D. Baxter*, M. Crofford*, M. Moran*

Italian pressing with laminated sleeve & Orange/creme RCA Victor labels.

On the b-side there is a mistake at the credits on the label. It says Danny O'Kefe, but it's a song by Danny O'Keefe.

Rights Society: SIAE
Matrix / Runout (Label side A): DKAY 19016
Matrix / Runout (Label side B): DKAY 19017
Matrix / Runout (Runout side A): DKAY 19016 3S 1A1
Matrix / Runout (Runout side B): DKAY 19017 3S 1A1

Manufactured By – Victor Musical Industries, Inc.
Phonographic Copyright ℗ – RCA Records

Japan Pressing With OBI

Record Company – RCA, S.A.
Manufactured By – COFASA
Phonographic Copyright ℗ – RCA Records
Printed By – Offset ALG, S.A.
Engineer – Al Pachucki, Dick Baxter, Mickey Crawford, Mike Moran (7)

Price Code: Ⓓ
Depósito Legal: M. 24125 - 1974
Rights Society (Boxed): S.G.A.E.

Side 1 : Take Good Care of Her - Loving Arms - I Got a Feelin' in My Body - If That Isn't Love - She Wears My Ring
Side 2 : I've Got a Thing About You Baby - My Boy - Spanish Eyes - Talk About the Good Times - Good Time Charlie's Got the Blues

Brief History : Reissue with new catalogue number.

Details : 1977 Reissue
Front Cover : Photo of Elvis. Title bottom left. Catalogue number top left.
​​Rear Cover : Catalogue number top right. Printed in U.S.A. bottom.
Label : Black dog near top. Flexible vinyl.
Side A : RCA logo at top.
Side B : ​RCA logo at top.
​Pressing Plant : Indianapolis
​​Matrix Number Side A : AFL1 - 0475 A L (Hand Etched) CPL1 - 0475 A - 30 A4 (Machine Stamped)
Matrix Number Side B : AFL1 - 0475 B - 30 A1 (Machine Stamped) T (Hand Etched)

*NOTE* New catalogue number. Front cover bottom left "RE" in blue text. Rear cover bottom left "RE" in black text.

Exclusive Retailer – Barnes & Noble

180g Red Translucent vinyl
Barnes& Noble Exclusive

Barcode: 829421004752

Pressed By – Record Industry – 25365
Copyright © – RCA Records
Phonographic Copyright ℗ – RCA Records

From Sticker:
45th Anniversary Edition
Limited Edition of 2500 Copies on Transparent Blue Vinyl
180 Gram Audiophile Vinyl

Made in the EU.

Matrix / Runout: 25365 2A MOVLP2375
Matrix / Runout: 25365 1B MOVLP2375
Barcode (Scanned): 8719262009318
Barcode (Text): 8 719262 009318
Rights Society: BIEM/STEMRA
Other (Historic cat number): CPL1 0475

Mastered At – Battery Studios, New York – FRM 0475
Pressed By – Record Technology Incorporated
Mastered By – Joe Reagoso

180 Gram Audiophile Translucent Gold & Blue Swirl Vinyl
Gatefold Cover
Bonus 24” x 24” "Good Times" Lp poster

Barcode: 829421004752

Manufactured By – RCA, S.A. DE C.V.
Phonographic Copyright ℗ – RCA Records
Arranged By [Arreglos De Cuerdas E Instrumentos De Viento] – Mike Leech (tracks: A)
Arranged By [Arreglos De Cuerdas] – Mike Leech (tracks: B)

Promoción: Prohibida Su Venta
(Promotional / Not For Sale) - on both labels

White RCA promo labels
Generic cover
Titles in English and Spanish

Matrix / Runout (Label side A): APBO-0280-A
Matrix / Runout (Label side B): APBO-0280-B

Phonographic Copyright ℗ – RCA Records

RCA on the sleeve.
RCA Victor on the label

Cat number 851520 on the sleeve.
Cat number 85-1520 on the label.

Phonographic Copyright ℗ – RCA Records
Published By – Easy Nine Music. Elvis Music, Inc. First Generation Music
Arranged By [Strings & Horn] – Mike Leech
Lacquer Cut By – Kev*

Publishers
Side A: Easy Nine Misic
Side A: Elvis Music Inc.
Side B: First Generation Music

Matrix / Runout (Side A Label Printed): APBO 0208A
Matrix / Runout (Side B Label Printed): APBO 0280B
Matrix / Runout (Side A runout, stamped / etched, variant 1): APBO-0280-A-1E KEV
Matrix / Runout (Side B runout, stamped / etched, variant 1): APBO-0280-B-1E KEV
Matrix / Runout (Side A runout, stamped, Variant 2): APBO-0280-A-1E
Matrix / Runout (Side B runout, stamped, Variant 2): APBO-0280-B-1E

* Recorded: Mid-South Coliseum, Memphis, March 20, 1974
Evening Show

Brief History : Recorded Live on Stage in Memphis is an album of recordings by Elvis Presley released by RCA Records in July 1974 and recorded on March 20 of the same year, in front of a live audience at the Midsouth Coliseum in Memphis, Tennessee, Presley's hometown. His home, Graceland, is pictured on the cover. The album was recorded the same day the King's Good Times album was released. This was Presley's fifth live album in less than five years (and the last to be released in his lifetime). He earned his third Grammy Award for the performance of "How Great Thou Art" included on this album. The album peaked on the chart in August 1974. It was certified gold on July 15, 1999 by the RIAA.

Although the album was not a major success, it did produce Presley's third and final Grammy award winner, "How Great Thou Art", which won for best inspirational performance (www.grammy.org). Two other gospel songs, "Why Me Lord" and "Help Me" (which was released as a single from the Promised Land album), are given an inspired performance. Another highlight is a strong version of the Sun years classic Eagles cover "Trying to Get to You", a favorite live choice for him, which shows that he still had the power to belt it out when he wanted to.

The live recording of "Let Me Be There" on this album was later used as filler on Presley's final studio album, Moody Blue. It was also issued as a promotional-only 45 RPM disc in 1974, with the same song on both sides (mono and stereo).

It is one of few Presley albums released during his lifetime where his face is not pictured on the cover.

The album also managed to reach #1 on the Country charts and the top 40 of the Hot 100, and was his last to reach the top 40 until Moody Blue in 1977.

In 2004, FTD Records re-released this album containing the entire concert.

Front Cover : Photo of Graceland. Title top centre. Catalogue number top left.
​​Rear Cover : The gates into Graceland. Catalogue number bottom left. Printed in U.S.A. bottom.
Label : Orange. Dynaflex.
Side A : Stereo at top.
Side B : ​Stereo at top.
​Pressing Plant : Unknown
​​Matrix Number Side 1 : Unknown
Matrix Number Side 2 : Unknown

Side 1 : See See Rider - I Got A Woman - Love Me - Tryin' To Get To You - MEDLEY: Long Tall Sally; Whole Lotta Shakin' Goin' On; Your Mama Don't Dance; Flip Flop and Fly; Jailhouse Rock; Hound Dog - Why Me Lord - How Great Thou Art
Side 2 : Blueberry Hill - I Can't Stop Loving You - Help Me - American Trilogy - Let Me Be There - My Baby Left Me - Lawdy Miss Clawdy - Can't Help Falling In Love - Closing Vamp

Brief History : CD-4 (Compatible Discrete 4) / Quadradisc

Compatible Discrete 4 (CD-4) or Quadradisc (not to be confused with compact disc) was introduced in May 1972 as a discrete quadraphonic system created by JVC and RCA. Record companies who adopted this format include Arista, Atlantic, Capricorn, Elektra, Fantasy, JVC, Nonesuch, A & M, Reprise and Warner.

This was the only fully discrete quadraphonic phonograph record system to gain major industry acceptance.

In the CD-4 system, the quadraphonic audio was divided into left and right channels, which were recorded orthogonally in the vertical plane of the disc groove, which is the case with normal stereo. The audio frequencies (20 Hz to 15 kHz), often referred to as the sum channel, would contain the sum of the left front plus left back signals in the left channel and the sum of the right front plus the right back signals in the right channel. In other words, when observing the audio frequencies only, the record appeared to have an ordinary stereo recording. Along with this audio, a separate 30 kHz carrier was recorded on each groove wall. The carrier on each side carried the difference signal for that side. This was the information that enabled a combined signal to be resolved into two separate signals. For the left carrier it would be left front minus left back, and for the right carrier it would be the right front minus the right back. These audio signals were modulated onto the carriers using a special FM-PM-SSBFM (frequency modulation-phase modulation-single sideband frequency modulation) technique. This created an extended carrier frequency range from 18 kHz to 45 kHz for the left and right channels. The algebraic addition and subtraction of the sum and difference signals would then yield compatible and discrete quadraphonic playback. CD-4 was responsible for major improvements in phonograph technology including better compliance, lower distortion levels, pick-up cartridges with a significantly higher frequency range, and new record compounds such as Q-540, which were highly anti-static. A typical CD-4 system would have a turntable with a CD-4 cartridge, a CD-4 demodulator, a discrete four-channel amplifier, and (ideally) four full-range loudspeakers. Some manufactures built the CD-4 demodulator into complete four-channel receivers.

Simply put, CD-4 consists of four recorded signals (LF, LB, RB, RF) and the following coding matrix, similar to FM broadcast stereo multiplexing.

The CD-4 encoding/decoding matrix:
(LF+LB)+(LF-LB)=2LF or left front
(LF+LB)-(LF-LB)=2LB or left back
(RF+RB)+(RF-RB)=2RF or right front
(RF+RB)-(RF-RB)=2RB or right back

There was also a similar FM radio system called Quadracast. But CD-4 (and quadraphonic audio in general) failed due to late FCC approval of FM quadraphonic broadcasting, the improvements CD-4 engendered spilled over into, and substantially improved, the production of conventional stereo LP records.

The CD-4 record track is broader than a conventional stereo track, so maximum the playing time is lower than a conventional stereo record.

Quadradiscs/CD-4 records were seldom called quadraphonic. When a record was called quadraphonic it was almost always an SQ-encoded or an other matrixed record. But when a record was called quadradisc it was always a CD-4 record.

Front Cover : Photo of Graceland. Title top centre. Catalogue number top right.
Rear Cover : The gates into Graceland. Catalogue number bottom left. Printed in U.S.A. bottom.
Label : Orange. Quadradisc vinyl.
Side A : Title at top & Quadradisc at bottom.
Side B : Title at top & Quadradisc at bottom.
Pressing Plant : Indianapolis
Matrix Number Side 1 : APD1 - 0606 A - 1 Q A1 (Machine Stamped)
Matrix Number Side 2 : APD1 - 0606 B - 3 Q A1 (Machine Stamped)

Barcode: 5060209750613

Distributed By – Music On Vinyl B.V.
Manufactured By – Music On Vinyl B.V.
Phonographic Copyright ℗ – RCA Records
Copyright © – RCA Records
Pressed By – Record Industry – 98602

Art Direction – Roger Semon
Bass – Duke Bardwell
Design – Peacock
Drums – Ronnie Tutt*
Engineer – Gus Mossler, Mike Moran, Ronnie Olson
Engineer [Assistant] – Kabir Hermon
Executive-Producer – Elvis Presley
Guitar – Elvis Presley, James Burton, John Wilkinson
Guitar, Vocals – Charlie Hodge
Mastered By – Vic Anesini
Mixed By – Rob Santos (tracks: A1 to D7), Steve Rosenthal (tracks: A1 to D7)
Piano – Glen D. Hardin
Product Manager [Product Direction] – John Jackson (11), Tom Burleigh
Production Manager [Project Direction] – Jim Parham, Marisa Jeffries
Reissue Producer – Ernst Mikael Jorgensen, Rob Santos
Vocals – J.D. Sumner & The Stamps, The Sweet Inspirations

180 gram audiophile vinyl
3-fold gatefold sleeve
Includes 16-page booklet
Remastered audio
40th Anniversary Edition

Barcode: 8718469535477
Matrix / Runout (stamped runout A): 98602 1A MOVLP1052
Matrix / Runout (stamped runout B): 98602 1B MOVLP1052
Matrix / Runout (stamped runout C): 98602 1C MOVLP1052
Matrix / Runout (stamped runout D): 98602 1D MOVLP1052
Matrix / Runout (stamped runout E): 98602 1E MOVLP1052
Matrix / Runout (stamped runout F): 98602 1F MOVLP1052
Matrix / Runout (stamped runout G): 98602 1G MOVLP1052
Matrix / Runout (stamped runout H): 98602 1H MOVLP1052

ELVIS PRESLEY Recorded Live On Stage In Memphis

(2025 UK/EU limited edition 4-LP set pressed on 180-gram Purple Vinyl. A deluxe 180-gram reissue of Recorded Live On Stage In Memphis, presented here in its expanded legacy edition across four LPs. Originally released in 1974 and reaching No.1 on the Country charts, the album features Presley's Grammy-winning performance of "How Great Thou Art", captured during a triumphant hometown concert. This reissue adds remarkable depth with a previously unreleased full test-run performance recorded days earlier at the Richmond Coliseum, offering rare insight into the dynamics of Elvis' live preparations. Also included are five intimate 1974 rehearsal recordings, three previously unreleased, cut at RCA Studios in Hollywood and intended as reference material for an upcoming Las Vegas engagement. Housed in a deluxe linen-laminate textured slipcase, this limited edition of 2000 individually numbered copies comes complete with a 20-page booklet featuring rare photos, memorabilia, press clippings and new liner notes, plus gold hype sticker. Recommended)

Side One
1. Also Sprach Zarathustra
2. See See Rider
3. I Got a Woman / Amen
4. Love Me
5. Trying to Get to You
6. All Shook Up
7. Steamroller Blues

Side Two
1. Teddy Bear / Don't Be Cruel
2. Love Me Tender
3. Long Tall Sally / Whole Lotta Shakin' Goin' On / Your Mama Don't Dance / Flip Flop and Fly / Jailhouse Rock / Hound Dog
4. Fever
5. Polk Salad Annie
6. Why Me Lord

Side Three
1. How Great Thou Art
2. Suspicious Minds
3. Introductions
4. Blueberry Hill / I Can't Stop Loving You
5. Help Me

Side Four
1. An American Trilogy
2. Let Me Be There
3. My Baby Left Me
4. Lawdy, Miss Clawdy
5. Funny How Time Slips Away
6. Can't Help Falling in Love
7. Closing Vamp

Side Five
1. Also Sprach Zarathustra
2. See See Rider
3. I Got a Woman / Amen
4. Love Me
5. Trying to Get to You
6. All Shook Up
7. Steamroller Blues

Side Six
1. Teddy Bear / Don't Be Cruel
2. Love Me Tender
3. Long Tall Sally / Whole Lotta Shakin' Goin' On / Your Mama Don't Dance / Flip Flop and Fly / Jailhouse Rock / Hound Dog
4. Fever
5. Polk Salad Annie
6. Why Me Lord

Side Seven
1. Suspicious Minds
2. Introductions
3. Can't Stop Loving You
4. Help Me
5. An American Trilogy
6. Let Me Be There
7. Funny How Time Slips Away

Side Eight
1. Can't Help Falling in Love
2. Closing Vamp
3. Down in the Alley (Rehearsal Take)
4. Good Time Charlie's Got the Blues (Rehearsal Take)
5. Softly As I Leave You (Rehearsal Take)
6. The First Time Ever I Saw Your Face (Rehearsal Take)
7. The Twelfth of Never (Rehearsal Take)

Release Date - 14 Nov 2025
Year of Release - 2025
Original Year of Release - 1974
Format - 4-LP vinyl album record set
Record Label - Music On Vinyl
Catalogue No - MOVLP1052
Country of Origin - United Kingdom (UK)

Promised Land **
It's Midnight *
(US) RCA PB 10074
Released: October 1, 1974
* Recorded: Stax Studios, Memphis, December 10, 1973
** Recorded: Stax Studios, Memphis, December 15, 1973

Front Cover : Picture Sleeve
Rear Cover : Picture Sleeve
Label : Grey
Pressing Plant : Indianapolis
Matrix Number Side A : PB - 10074 - A 3 A3 (Machine Stamped)
Matrix Number Side B : PB - 10074 - B 1 A1 (Machine Stamped)

Promo copy distributed to radio stations. Fold down mono.

Phonographic Copyright ℗ – RCA Records
Record Company – RCA Corporation

℗ 1974 RCA Records

Rights Society: Sabam
Matrix / Runout (Label side A): ZPRS 439 +
Matrix / Runout (Label side B): ZPRS 440 +

Manufactured By – Lauro & Cia. Ltda

Industria Boliviana

Made By – RCA Schallplatten GmbH
Published By – Arc Music. Imagination Inc. Geronimo M. Inc.
Pressed By – Teldec-Press GmbH
Lacquer Cut At – TELDEC-Studio, Hamburg
Lacquer Cut By – S*

Ad on back cover:
A sensational double-LP at a sensational price
LP: PJL2-8024 ›26.28103‹
MC:: PJK2-8024 ›24.28103‹

Rights Society: GEMA
Matrix / Runout (Side A, label): PB-10 074-A
Matrix / Runout (Side B, label): PB-10 074-B
Matrix / Runout (Side A, runout, stamped): PB-10074-A Manufactured in Germany
Matrix / Runout (Side B, runout, stamped): PB-10074-B Manufactured in Germany
Matrix / Runout (Runout both sides, etched): S

Disco de Promocion
Prohibida su Venta

Pressed By – Phonodisc Ltd.
Lacquer Cut At – RCA Studios, London

Orange Injection Labels.

Matrix / Runout: PB 11074 A//1 R12 8
Matrix / Runout: PB 11074 B//1 R13 4

US Chart #14(BB)/#22(CB).
RCA inadvertently switched the A&B sides from the original release.

A TALKING ONLY ALBUM

Brief History : Having Fun with Elvis on Stage is a 1974 live album by Elvis Presley.

​The album is unique among Elvis' recordings as it does not contain any actual songs: it consists entirely of byplay recorded between numbers, although Elvis is frequently heard humming or singing "Well...", which during the actual performances led into songs that have been edited out of this recording. Much of the album consists of Elvis making jokes, with the material spliced in a manner that has been described as lacking continuity and nearly devoid of comprehensibility, let alone humor.

​Ostensibly, the album came to be as a ploy by Colonel Tom Parker, Presley's manager, to release an album that RCA Records would own no rights on. Parker initially released the album on his own label, Box Car Records, and it was initially sold only at Presley's concerts. The album was later packaged and marketed by RCA as a legitimate concert album, with the only warning for the buyer being the subtitle "A Talking Album Only" on the cover. Presley is credited on the back sleeve as the album's executive producer.

Having Fun with Elvis on Stage has been described as the worst album of Elvis's career. A review by Allmusic likened it to "an auto wreck that somehow plowed into a carnival freak show." Rock critics Jimmy Guterman and Owen O'Donnell, writing in their 1991 book The Worst Rock and Roll Records of All Time, named it the worst rock album ever, although one could easily note the lack of "rock and roll" in the record.

Although Presley spends most of the album exchanging jokes with audience members and his band, near the end of side one he is captured speaking autobiographically about his early life and his career aspirations before becoming a singer.

The album managed to make it up to #130 on the Billboard album charts, and even as high as #9 on the Billboard Top Country Albums chart.

This was not the first release by RCA of spoken word material by Elvis. In March 1959, the label released Elvis Sails (EPA 4325), a three-track EP consisting of interview recordings made before his departure for Germany with the US Army.

By all accounts, Presley was infuriated when RCA put this album into the general marketplace, considering it a tremendous embarrassment. As a result, the album was quietly deleted sometime in 1975 but reissued for a few years following his death. Since the late 1990s, fans have put together several pirate "sequel" discs. The original album remains unavailable on CD, but has been reissued as a series of three 10" records.

Front Cover : 6 Photos of Elvis. Title at top. Catalogue number top left.
​​Rear Cover : Map of American cities were Elvis performed. Printed in U.S.A. bottom centre.
Label : Orange. Dynaflex vinyl.
Side A : MONO at top.
Side B :​ MONO at top.
​Pressing Plant : Indianapolis
​​Matrix Number Side A : CPM1 - 0818 - A - 2S A1 (Machine Stamped)
Matrix Number Side B : CPM1 - 0818 - B - 10S D1 (Machine Stamped)
*NOTE* New catalogue number. A talking only album. This was an RCA commercial release reissued with a new catalogue number. No mention of "BOXCAR" anywhere. Bottom centre now reads "1974 RCA Records, New York, N.Y. Printed in U.S.A.".

Catalogue Number : BOXCAR
Year Release : August 1974

Front Cover : 6 Photos of Elvis. Title at top. No catalogue number.
​​Rear Cover : No catalogue number. Map of American cities were Elvis performed. Printed in U.S.A. bottom right.
Label : White.
Side 1 Boxcar Records at top.

Side 2 Boxcar Records at top.
​Pressing Plant : Hollywood
​​Matrix Number Side 1 : ELVIS SIDE 1 (Machine Stamped)
Matrix Number Side 2 : ELVIS SIDE 2 (Machine Stamped)

*NOTE* A talking only album. This was Col Tom Parkers own label. Permission was given to him by RCA to release it and it was sold at Elvis concerts. There was no catalogue number with this issue. Bottom right rear corner "1974 Boxcar Enterprises, Madison, Tenn. Printed in U.S.A.".

Side 2 : Talking album only

Brief History : Black label reissue with new catalogue number.

Details : 1977 Reissue AFM1 - 0818
Front Cover : 6 Photos of Elvis. Title at top. Catalogue number top left.
Rear Cover : Map of American cities were Elvis performed. Catalogue number top right. Printed in U.S.A. bottom centre.
Label : Black dog near top. Flexible vinyl.
Side A : RCA logo at top.
Side B : RCA logo at top.
Pressing Plant : Indianapolis
Matrix Number Side A : AFM1 (Hand Etched) - 0818 - A - 32 A (Machine Stamped) F (Hand Etched)

Matrix Number Side B : AFM1 - 0818 - B - 3S A3 (Machine Stamped) C (Hand Etched)

*NOTE* New catalogue number. Rear cover "RE" bottom left. A talking only album. This was an RCA commercial release reissued with a black label. No mention of "BOXCAR" anywhere.

Side 1
My Baby Left Me
Heartbreak Hotel
Blue Suede Shoes
Hound Dog
Love Me Tender
Got A Lot O' Livin' To Do
(Let Me Be Your) Teddy Bear
Party
All Shook Up
Old Shep

Side 2
Don't
Hard Headed Woman
Kring Creole
Jailhouse Rock
A Big Hunk O' Love
I Got Stung
One Night
(Now And Then There's) A Fool Such As I
I Need Your Love Tonight
Stuck On You

Side 3
Fever
It's Now Or Never
Are You Lonesome Tonight?
Wooden Heart
Surrender
(Marie's The Name) His Latest Flame
Wild In The Country
There's Always Me
Rock-A-Hula Baby
Can't Help Falling In Love With You

Side 4
Good Luck Charm
She's Not You
Return To Sender
You're The Devil In Disguise
Crying In The Chapel
Guitar Man
In The Ghetto
Suspicious Minds
There Goes My Everything
Don't Cry Daddy

Pressed By – RCA Records Pressing Plant, Washington, UK
Record Company – RCA Special Products
Distributed By – William Levene Ltd.
Made By – Shorewood Packaging Co. Ltd.
Made By – RCA

Compiled By – Diana Graham
Design, Art Direction – ROC Advertising Ltd.*
Lacquer Cut By – KM*
Liner Notes – Mike Ledbitter*
Performer [With] – The Jordanaires (tracks: A7 to A9, B1 to B3, B5, B8 to B10, C2, C3, C5, C7 to D4)

Gatefold Sleeve.
ADEP 12 = cat# on spine
ADE P 12 = cat# on labels

On rear cover:
Interpak by Shorewood Packaging Co. Ltd. England

On labels:Made by RCA

Matrix / Runout (Side A runout variant 1): ADE P12-A-1E A1Y KM
Matrix / Runout (Side B runout variant 1): ADE P12-B-1E A1G KM
Matrix / Runout (Side C runout variant 1): ADE P12-C-1E A1Z
Matrix / Runout (Side D runout variant 1): ADE P12-D-3E A1AN
Matrix / Runout (Side A runout variant 2): ADE P12 - A - 4E A7M
Matrix / Runout (Side B runout variant 2): ADE P12 - B - 1E A3AAP KM
Matrix / Runout (Side C runout variant 2): ADE P12 - C - 3E
Matrix / Runout (Side D runout variant 2): ADE P12 - D - 4E A7C
Matrix / Runout (Side A runout variant 3): ADE P12 - A - 4E A4AJT
Matrix / Runout (Side B runout variant 3): ADE P12 - B - 1E A3AAAD KM
Matrix / Runout (Side C runout variant 3): ADE P12 - C - 3E
Matrix / Runout (Side D runout variant 3): ADE P12 - D - 4E A7P
Matrix / Runout (Side A runout variant 4): ADE P12 - A - 4E A7M
Matrix / Runout (Side B runout variant 4): ADE P12 - B - 1E A3AAP KM
Matrix / Runout (Side C runout variant 4): ADE P12 - C - 6E A6J
Matrix / Runout (Side D runout variant 4): ADE P12 - D - 8E A7AO
Matrix / Runout (Side A runout variant 5): ADE P12-A-4E A7D
Matrix / Runout (Side B runout variant 5): ADE P12-B-1E A3AAEB KM
Matrix / Runout (Side C runout variant 5): ADE P12-C-3E A1AAG
Matrix / Runout (Side D runout variant 5): ADE P12-D-4E A4U

Licensed From – RCA Eletrônica Ltda.
Record Company – SIGLA - Sistema Globo De Gravações Audiovisuais Ltda.
Manufactured By – RCA Eletrônica Ltda.
Distributed By – RCA Eletrônica Ltda.

Artwork [Cover] – Joel Cocchiararo
Artwork [Inner] – Zingg*, Donner*, Joel*, Luke (201), Plug (35)
Tracks A1 to A10, B1 to B9, C7, C9, D5 and D8 to D10: Mono
Runouts Are Stamped

Matrix / Runout (Side A Runout, Variant 1): 421.7001-1-A ... 1SX
Matrix / Runout (Side B Runout, Variant 1): 421.7001-1-B ... 6SX
Matrix / Runout (Side C Runout, Variant 1): 421.7001-2-C ... 6SX
Matrix / Runout (Side D Runout, Variant 1): 421.7001-2-D ... 6SX
Matrix / Runout (Side A Runout, Variant 2): 421.7001-1-A ... 3SX A3
Matrix / Runout (Side B Runout, Variant 2): 421.7001-1-B ... 3SX A2
Matrix / Runout (Side C Runout, Variant 2): 421.7001-2-C ... 6SX
Matrix / Runout (Side D Runout, Variant 2): 421.7001-2-D ... 4SX A
Matrix / Runout (Side A Runout, Variant 3): 421.7001-1-A ... 1SX 2A
Matrix / Runout (Side B Runout, Variant 3): 421.7001-1-B ... 3SX 1A
Matrix / Runout (Side C Runout, Variant 3): 421.7001-2-C ... 3SX A1
Matrix / Runout (Side D Runout, Variant 3): 421.7001-2-D ... 2SX A2

Record Company – RCA Records
Manufactured By – Teal Record Company

Compiled By – Diana Graham
Design, Art Direction – ROC Advertising Ltd.*
Lacquer Cut By – KM*

Phonographic Copyright ℗ – RCA Records
Copyright © – RCA Ltd.
Manufactured By – RCA Ltd.
Printed By – Robert Stace
Pressed By – RCA Records Pressing Plant, Washington, UK
Published By – Carlin Music Corp.
Published By – Multimood Music
Published By – Chappell Morris Ltd.
Published By – Lawrence Wright Music Co. Ltd.
Published By – United Artists Music Ltd.
Published By – Leeds Music Ltd.
Published By – Redwood Music Ltd.
Published By – Carlin
Published By – Francis, Day & Hunter Ltd.
Published By – Valley Music Ltd.
Published By – Screen Gems-EMI Music Ltd.
Published By – Burlington Music Co. Ltd.

Art Direction – John Dyer (4)
Cover [Cover Design], Design [Cover Design], Artwork – Dick Whitbread
Featuring – The Imperials Quartet* (tracks: D9), The Jordanaires (tracks: A7 to A9, B1 to B3, B5, B8 to B10, C2, C3, C5, C7 to D1, D3 to D5)

Special Pink Pressing.
Some copies were released with an advertisement 4-paged A4-format booklet 'Elvis 1935-1977 - Catalogue August 1978'. Inside the booklet advertisements shown all the Elvis records made and for sale from RCA.

Tracks A1 to B9, C7, C9, D5, D8 to D10 are mono recordings.

Publishers:
A1, A3, A5 to A9, B1 to B6, B9, B10, C2, C4, C6 to D4, D7, D10: Carlin Music Corp.
A2: Multimood Music
A4, D5: Chappell-Morris Ltd.
A10: Lawrence Wright Music Co. Ltd.
B7: United Artists Music Ltd.
B8: Leeds Music Ltd.
C1: Redwood Music Ltd.(Carlin)
C3: Francis Day & Hunter Ltd.
D6: Valley Music Ltd.
D8: Screen Gems-EMI Music Ltd.
D9: Burlington Music Co. Ltd.

A1 to A5, A10 ℗ 1956, A6 to A9 ℗ 1957, B1 to B4 ℗ 1958, B5 to B9 ℗ 1959, B10 to C2 ℗ 1960, C3 to C8 ℗ 1961, C9 to D3 ℗ 1962, D4 ℗ 1963, D5 ℗ 1965, D6 ℗ 1968, D7,D8 & D10 ℗ 1969, D9 ℗ 1971
All RCA Records

All runouts read: [...]4269I[...]
Runouts variant 9 read: [...] IE [...] (side 1), [...] AIAO (side 4)
Runouts variant 10 read: [...] IE AIAAAAF (side 1), [...] IE [...] (sides 2 & 4)

Durations do not appear on this release. Timings via stopwatch.

Sleeve ©1978 RCA Limited, Record Division, RCA House, Curzon Street, London W1

Price Code: 2x LD
Rights Society (C2, C5): BRITICO
Matrix / Runout (Side A label): PL 42691(2) A
Matrix / Runout (Side B label): PL 42691(2) B
Matrix / Runout (Side C label): PL 42691(2) C
Matrix / Runout (Side D label): PL 42691(2) D
Matrix / Runout (Runout side A variant 1): PL 42691-A-1E
Matrix / Runout (Runout side B variant 1): PL 42691-B-1E
Matrix / Runout (Runout side C variant 1): PL 42691-C-2E
Matrix / Runout (Runout side D variant 1): PL 42691-D-2E
Matrix / Runout (Runout side A variant 2): PL 42691-A-3E A/W
Matrix / Runout (Runout side B variant 2): PL 42691-B-3E 'W' A/A
Matrix / Runout (Runout side C variant 2): PL 42691-C-4E W A1Q
Matrix / Runout (Runout side D variant 2): <has not been provided>
Matrix / Runout (Runout side A variant 3): PL·42691·A·1E A4 AP
Matrix / Runout (Runout side B variant 3): PL·42691·B·1E A3 AR
Matrix / Runout (Runout side C variant 3): PL 42691 C 4E B1 H 'W'
Matrix / Runout (Runout side D variant 3): PL 42691 D-2E 'W' A2 E
Matrix / Runout (Runout side A variant 4): PL 42691-A-3E A/AC
Matrix / Runout (Runout side B variant 4): PL 42691-B-3E 'W' A/C
Matrix / Runout (Runout side C variant 4): PL 42691-C-4E 'W' A4Z
Matrix / Runout (Runout side D variant 4): PL 42691-D-1E A4 AY
Matrix / Runout (Runout side A variant 5): PL · 42691 · A · 1E A4I W
Matrix / Runout (Runout side B variant 5): PL · 42691 · B · 1E A3P
Matrix / Runout (Runout side C variant 5): PL 42691 · C · 2E A3R 'W'
Matrix / Runout (Runout side D variant 5): PL - 42691 - D - 1E A5S 'W'
Matrix / Runout (Runout side A variant 6): PL • 42691 • A • 1E A3AAJ W
Matrix / Runout (Runout side B variant 6): PL • 42691 • B • 1E A3AL
Matrix / Runout (Runout side C variant 6): PL 42691 - C - 4E B1 J W
Matrix / Runout (Runout side D variant 6): PL 42691 - D - 2E W A2K
Matrix / Runout (Runout side A variant 7): PL • 42691 • A • 1E AIM W
Matrix / Runout (Runout side B variant 7): PL • 42691 • B • 1E AIN (̶P̶L̶-̶ 42691)
Matrix / Runout (Runout side C variant 7): PL 42691 - C - 2E AIT 'W'
Matrix / Runout (Runout side D variant 7): PL 42691 - D - 1E AIG 'W'
Matrix / Runout (Runout side A variant 8): PL · 42691 · A · 1E A\AAJ W
Matrix / Runout (Runout side B variant 8): PL · 42691 · B · 1E A\AQ (PL-42691)
Matrix / Runout (Runout side C variant 8): PL 42691 · C · 2E A2M 'W'
Matrix / Runout (Runout side D variant 8): PL - 42691 - D - 1E A5A 'W'
Matrix / Runout (Runout side A variant 9, etched): PL · 42691 · A · 1E A4AAV W
Matrix / Runout (Runout side B variant 9, etched): PL 42691 - B - 2E ·W· B2И
Matrix / Runout (Runout side C variant 9, etched): PL 42691 - C - 4E A3AK ·W·
Matrix / Runout (Runout side D variant 9, etched): PL 42691 - D - 2E ·W· A1AO
Matrix / Runout (Runout side A variant 10, etched): PL · 42691 · A · 1E A1AAAAF W
Matrix / Runout (Runout side B variant 10, etched): PL · 42691 · B · 1E A2AAL
Matrix / Runout (Runout side C variant 10, etched): PL 42691 - C - 4E A·3 ·W· A3AO
Matrix / Runout (Runout side D variant 10, etched): PL - 42691 - D - 1E A4AE
Matrix / Runout (Runout side A variant 11, etched): PL . 42691 · A · 1E A1AAE
Matrix / Runout (Runout side B variant 11, etched): PL · 42691 · B · 1E A1AAB
Matrix / Runout (Runout side C variant 11, etched): PL 42691 - C - 2E A1AAC W
Matrix / Runout (Runout side D variant 11, etched): PL - 42691 - D - 1E A2M W

Distributed By – RCA Italiana S.p.A.
Rights Society: SIAE