The Vaping Friar

CAT# on labels : 447-0651
Made in Canada by RCA Victor Company, Ltd.
"His Master's Voice"
(from the RCA Victor album LPM-2328 "His Hand In Mine")
Made in Canada.

Matrix / Runout (Side A, label): L2WW-0380
Matrix / Runout (Side B, label): L2WW-0384
Matrix / Runout (Side A, etched runout): L2WW 0380 G
Matrix / Runout (Side B, etched runout): L2WW 0384 G
Rights Society (On sleeve): BMI
Other (Date. back of sleeve): 66-9

Manufactured By – TELDEC »Telefunken-Decca« Schallplatten GmbH

Rights Society (Boxed): GEMA
Matrix / Runout (Label side A): L 2 WW-0380
Matrix / Runout (Label side B): L 2 WW-0384

White label promo

Printed By – A.R.E.A.C.E.M.

Other (Printers code on sleeve): 9/71
Rights Society: SACEM SACD SDRM SGDL
Matrix / Runout (Label side A): L2WW 0380
Matrix / Runout (Label side B): L2WW 0381

Distributed By – Radio Corporation Of New Zealand Ltd.
Published By – Belinda Music (Australia)
Published By – Aberbach (Aust.) Pty. Limited

Publishers
A: Belinda Music (Australia)
B: Aberbach (Aust.) Pty. Limited

Matrix / Runout (Label side A): L2WW-0380
Matrix / Runout (Label side B): L2WW-0384

Label: RCA – 47-0652
Format: Vinyl, 7", 45 RPM, Single
Country: Germany
Released: 1966

German for Nordic export edition only

Made By – RCA Victor Company, Ltd.

Matrix / Runout (Label side A): SPKM-7378
Matrix / Runout (Label side B): SPKM-7384

GEMA
SPKM-7378/SPKM-7384
New Orthophonic High Fidelity

Pressed By – RCA Records Factory, Italy
Printed By – Corporazione Arti Grafiche

Dalla colonna originale del film: "Frankie And Johnny".

Matrix / Runout (Label side A): RKAW 23068
Matrix / Runout (Label side B): RKAW 23069
Matrix / Runout (Runout side A): RKAW 23068 1S - 1A 1
Matrix / Runout (Runout side B): RKAW 23069 1S - 1A 1
Rights Society: BIEM

Matrix / Runout (Label, Side A): SPKM.7378
Matrix / Runout (Label, Side B): SPKM.7384
Matrix / Runout (Side A runout, stamped): SPKM-7378-1C
Matrix / Runout (Side B runout, stamped): SPKM-7384-1C i

Published By – Gladys Music Inc.
Published By – Elvis Presley Music, Inc.
Record Company – Radio Corporation Of America
Pressed By – RCA Records Pressing Plant, Indianapolis

Label Variant: Red 'Gold Standard' labels. Reissue of Frankie And Johnny.
Side B is listed on the Label as from the picture "Frankie and Johnny" an Edward Small production, released through United Artists

Rights Society (A): ASCAP
Rights Society (B): BMI
Matrix / Runout (Label A): SPKM-7378
Matrix / Runout (Label B): SPKM-7384
Matrix / Runout (Stamped in runout A): SPKM 7378 9S . [Sideways: I ] A1
Matrix / Runout (Stamped in runout B): SPKM-7384 S [Sideways: I ] AI
Pressing Plant ID (Stamped in runouts): I

Published By – Gladys Music Inc. – Side A
Published By – Elvis Presley Music, Inc. – Side B

Side B is listed on the Label as "(from the picture "Frankie and Johnny" an Edward Small production released thru United Artists)"

Label Variant: Black Gold Standard Series label

Matrix / Runout (Side A , Label Printed): SPKM-7378
Matrix / Runout (Side B, Label Printed): SPKM-7384
Matrix / Runout (Side A Stamped): SPKM 7378 9S A
Matrix / Runout (Side B Stamped): SPKM -7384 -9 S A1
Rights Society: BMI
Rights Society: ASCAP

* Recorded: Radio Recorders, Hollywood, May 13, 1965
** Recorded: Radio Recorders, Hollywood, May 14, 1965
*** Recorded: Radio Recorders, Hollywood, May 15, 1965
**** Recorded: Radio Recorders, Hollywood, May 14, 1965 (Rhythm Track) and overdubbed at Samuel Goldwyn Studios, Hollywood, May 19, 1965

Brief History : Frankie and Johnny is the twenty-fifth album by Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3553, in March 1966. Recording sessions took place at Radio Recorders in Hollywood, California, on May 12, 13, and 14, 1965. It peaked at #20 on the Top Pop Albums chart. It was certified Gold and Platinum on 1/6/2004 by the R.I.A.A.

To coincide with the 19th century setting of the film, some traditional song material was utilized for the soundtrack. "When the Saints Go Marching In" is an old gospel hymn that has become a jazz standard associated with the traditional hot jazz of New Orleans. It is paired in a medley with "Down by the Riverside," another traditional gospel song dating back to the relevant time period. Both are in the public domain, and the team of Giant, Baum, and Kaye captured the publishing for Freddy Bienstock and the Colonel. The title song, "Frankie and Johnny," is a variant on the American popular song first published in 1904 and credited to Hughie Cannon. With changed lyrics, another publishing royalty was secured for Gladys Music.

Twelve songs were recorded at the sessions for Frankie and Johnny, and all were used and issued on the soundtrack. The title song was issued as a single, with "Please Don't Stop Loving Me" on the b-side. Released either just before or simultaneously with the album, "Frankie and Johnny" peaked at #25 on the Billboard Hot 100, with the b-side also charting at #45.

Front Cover : Photo of Elvis. Catalogue number bottom left.
Rear Cover : 10 Photos of Elvis. Catalogue number top right Mono LPM 3553 / Stereo LSP 3553. Printed in U.S.A. bottom left.
Label : Black with silver lettering & dog on top. RCA Victor Logo in white.
Side 1 : MONAURAL at bottom.
Side 2 : MONAURAL at bottom.
Pressing Plant : Rockaway
Matrix Number Side 1 : SPRM - 7386 - 1S A2 (Machine Stamped)
Matrix Number Side 2 : SPRM - 7387 - 7S A1 (Machine Stamped)

*NOTE* Hype Sticker. A 12 X 12 inch photo was given away free for a period during this release. It was enclosed inside the album. Different matrix numbers.

*NOTE* No Hype Sticker on cover. 12 X 12 inch photo was given away free for a period during this release. It was enclosed inside the album.

Elvis Presley Frankie And Johnny (Rare 1966 Japanese 12-track deep groove 'Living Stereo' LP soundtrack, housed in a silk laminated gatefold picture sleeve with a very, very dark blue obi-strip which with the original printed '1,800' yen price,matching the price on the back of the sleeve. )

TRACKLISTING AND EXTRA INFORMATION

Side 1:

1. Frankie And Johnny
2. Come Along
3. Petunia, The Gardener's Daughter
4. Chesay
5. What Every Woman Lives For
6. Look Out, Broadway

Side 2:

7. Beginner's Luck
8. Down By The Riverside/When The Saints Go Marching In
9. Shout It Out
10. Hard Luck
11. Please Don't Stop Loving Me
12. Everybody Come Aboard

Title - Frankie And Johnny
Year of Release - 1966
Format - vinyl LP album (LP record)
Record Label - Victor
Catalogue No - SHP-5540
Country of Origin - Japan

Made By – RCA Victor Company, Ltd.

Made in Canada by RCA Victor Company, Ltd., Montreal - Copyrighted
"Stereo Orthophonic" High Fidelity

Matrix / Runout (Side 1 Label): LSP 3553 (SPRS-7388)
Matrix / Runout (Side 2 Label): LSP 3553 (SPRS-7389)
Matrix / Runout (Side 1 runout): SPRS-7388 TZ
Matrix / Runout (Side 2 runout): SPRS-7389 TZ

Manufactured By – TELDEC »Telefunken-Decca« Schallplatten GmbH

Matrix / Runout (Side 1): LP-Ste-SPRS-7388-X
Matrix / Runout (Side 2): LP-Ste-SPRS-7389-X

Manufactured By – Victor Company Of Japan, Ltd.

Liner Notes – 桜井ユタカ*, 木崎義二

Released with obi and in gatefold sleeve with English lyrics and Japanese liner notes on the inside.

Matrix / Runout (Runout Side A - stamped): SPRS 7388 111
Matrix / Runout (Runout Side B - stamped): SPRS 7389 111

Phonographic Copyright ℗ – RCA Records
Printed By – A.R.E.A.C.E.M.
Made in France

Rights Society: SACEM SDRM SACD SGDL
Price Code: Ⓑ
Other (Printing company code): C-2
Matrix / Runout (Label side A): SPRM 7.386
Matrix / Runout (Label side B): SPRM 7.387
Matrix / Runout (Side A): SPRM 7.386 P1
Matrix / Runout (Side B): SPRM 7.387 P1

Mastered At – Trutone Mastering Labs
Record Company – RCA Corporation
Distributed By – Pickwick Records Of Canada Ltd.
Copyright – RCA Corporation
Backing Vocals – The Jordanaires (tracks: A2,A3,A5,B1,B3,B4)
Mastered By – Carl Rowatti (tracks: B1 to B4), Phil Austin (tracks: A1 to A5)

Rights Societies
ASCAP : A1,A2,A4,B2,B3
BMI : A3,A5,B1,B4

Printed in the U.S.A.
Rights Society: ASCAP
Rights Society: BMI
Matrix / Runout (Side A label): ACL 7007-A
Matrix / Runout (Side B label): ACL 7007-B
Matrix / Runout (Runout, Side A, Etched): ACL-7007-A TR PA 8-77
Matrix / Runout (Runout, Side B, Etched): ACL-7007B-2 TR CR 2/76

Phonographic Copyright ℗ – RCA Records
Manufactured By – RVC Corporation
Backing Vocals – The Jordanaires (tracks: A1, A2, A4-A6, B1-B3, B5-B6)
Liner Notes – 村岡裕司*

Previously released in Japan in 1966 and 1969. This version was released with obi and insert containing English lyrics and Japanese liner notes.

Matrix / Runout (Runout Side A - Stamped): RPL-2021A 121
Matrix / Runout (Runout Side B - Stamped): RPL-2021B 121
Rights Society: JASRAC

Track 3, Side 2 misspelled track "Shout it out", listed as "Shot it out"

No track times or credits given, Some spelling errors copied from labels, front and back cover same.

English credits and titles on sleeve, Chinese credits and titles on the labels.

Matrix / Runout (A): (S)FL-1354A, SPRS--7388--4S
Matrix / Runout (B): (S)FL-1354B, SPRS--7389--6S

Love Letters (Single Version)*
Come What May **
(US) RCA 47-8870
Released: June 8, 1966
* Recorded: RCA Studio B, Nashville, May 26, 1966
** Recorded: RCA Studio B, Nashville, May 28, 1966

Side TPKM 0914 : Love Letters
Side TPKM 0924 : Come What May
Brief History : Love Letters was recorded May 25th, 1966 at RCA Studios, Nashville & Come What May was recorded 3 days later at the same location.

Front Cover : Picture Sleeve.

Rear Cover : Picture Sleeve
Label : Black with silver lettering & dog on side.
Pressing Plant : Indianapolis
Matrix Number Side 1 : TP - KM 0914 - 4S B1 (Machine Stamped)
Matrix Number Side 2 : TP - KM 0924 - 4S A2 A (Machine Stamped)
*NOTE* Coming soon! Original soundtrack LP: "Paradise, Hawaiian Style" sleeve.

Manufactured By – Victor Company Of Japan, Ltd.

Matrix / Runout (Label side A): TPKM-0914
Matrix / Runout (Label side B): TPKM-0924

Record Company – RCA Española, S.A.
Manufactured By – Fonogram, S.A.
Printed By – Gráficas Asin

Spanish titles on vinyl labels

Matrix / Runout (Printed A side): 3F6ZW-0059
Matrix / Runout (Printed B side): 3F6ZW-0060
Depósito Legal: M.11401-1966
Other (Impuesto de Lujo a Metalico): Permiso Nº 3724

Pressed in Uruguay by APSA

Matrix / Runout: SIDE A TPKM - 0914 - 1S
Matrix / Runout: SIDE B TPKM - 0924 - 2S

Label: RCA Victor – 447- 0657
Series: Gold Standard Series
Format: Vinyl, 7", 45 RPM, Single, Reissue
Country: US
Released: 1970

Pressed By – RCA Records Pressing Plant, Indianapolis
Published By – Famous Music Corporation
Published By – Progressive Music Pub. Co., Inc.
Published By – Elvis Presley Music, Inc.
Published By – Quintet Music

Red label reissue

A - Famous Music Corp., ASCAP
B - Progressive Music Pub. Co.,
Elvis Presley Music, Inc.
Quintet Mus.
BMI

TMK(s) Registered Marca(s) Registrada(s)
RCA Corporation - Made in U.S.A.

Rights Society: ASCAP
Rights Society: BMI
Matrix / Runout (Label side A): TPKM-0914
Matrix / Runout (Label side B): TPKM-0924
Pressing Plant ID (Stamped in runouts): I
Matrix / Runout (Runout, side A, stamped): TPKM-0914 11S I A1
Matrix / Runout (Runout, side B, stamped): TPKM-0924-12S I A1

* Recorded: Radio Recorders, Hollywood, August 2, 1965
** Recorded: Radio Recorders, Hollywood, August 3, 1965
*** Recorded: Radio Recorders, Hollywood, August 4, 1965

Brief History :
Paradise, Hawaiian Style is the twenty-sixth album by Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3643, in June 1966. Recording sessions took place at Radio Recorders in Hollywood, California, on July 26 and 27, and August 2, 1965. It peaked at #15 on the Top Pop Albums chart.

Presley found himself in 1965 recording soundtrack albums for films that were almost a year away from release — gone were the days when the turnaround time from the final session for Elvis Is Back! to its arrival in the shops was less than one week. While working on this album, his most recent film in the theaters was Tickle Me, and Presley had completed three more movies since then. With titles like "A Dog's Life" and "Queenie Wahine's Papaya," he openly ridiculed the material, wasting time before finally approaching the microphone to do the job. He begrudgingly accepted songs given him that he would have rejected outright years earlier. He always finished the work, but in essence Presley had become a hired hand in his own career.

No singles were issued from songs on the album. Ten songs were recorded at the sessions for the soundtrack, but only nine were used in the film. The omitted song, "Sand Castles," was included on the album to bring the running order to ten tracks. Sales for the album were under 250,000, a new low for Presley's LP catalogue. The good news was the single issued in June 1966 two days before the album, the 1945 Victor Young standard "Love Letters" backed with Clyde McPhatter's 1958 rhythm and blues hit "Come What May." It made a respectable #19 on the Billboard Hot 100, and at least reflected Presley's actual tastes away from obligations to the soundtrack recordings. It was also his first contemporary record release in three years since "(You're the) Devil in Disguise" in June 1963, arriving in stores less than two weeks after it was recorded.

Front Cover : Photo of Elvis. LP title top. Catalogue number bottom left.
​​Rear Cover : 9 photos of Elvis. Catalogue number top right Mono LPM / Stereo LSP 3643. Printed in U.S.A. bottom left.
Label : Black with silver lettering & dog on top. RCA Victor Logo in white.
Side 1 : Right side has "Side 1". MONAURAL at bottom.
Side 2 : ​Right side has "Side 2". MONAURAL at bottom.
​Pressing Plant : Rockaway
Matrix Number Side 1 : TPRM - 3844 - 1S B3 (Machine Stamped)
Matrix Number Side 2 : TPRM - 3845 - 1S A3 (Machine Stamped)

Manufactured By – Victor Company Of Japan, Ltd.

Backing Vocals – The Jordanaires (tracks: A1 to A4, B2 to B4)
Liner Notes – 木崎義二

In gatefold sleeve with Japanese liner notes and English lyrics on the inside.

Track timings taken from the inside cover although A3 is considerably longer than 1:13.

No mono version was released in Japan.

Matrix / Runout (Runout Side A - stamped): TPRS 3846 111
Matrix / Runout (Runout Side B - stamped): TPRS 3847 131

Different track sequence

A1 Queenie Wahine's Papaya
A2 Paradise, Hawaiian Style
A3 A Dog's Life
A4 Drums Of The Islands
A5 This Is My Heaven

B1 Sand Castles
B2 Scratch My Back (Then I'll Scratch Yours)
B3 Stop Where You Are
B4 House Of Sand
B5 Datin'

Taiwan pressing, no credits or track times given, some spelling errors copied from labels, see scans.

Matrix / Runout (A): (S)FL-1373A, TPRS--3846--2S
Matrix / Runout (B): (S)FL-1373B, TPRS--3847--2S

Manufactured By – RCA Records Factory, Italy
Nov 1970 re-release on the rigid orange RCA Victor label

Matrix / Runout (Runout side A): RKAP 13011 1S
Matrix / Runout (Runout side B): RKAP 13012 1S

RCA Victor presents ELVIS in the Original Soundtrack Album From The Paramount Picture "Paradise, Hawaiian Style". A Hal Wallis Production

B5 - Sand Castles is a special bonus song.

INDIAN PRESS

Label Code: TPRM-3844
Matrix / Runout: TPRM-3844--4S A 5
Matrix / Runout: TPRM-3845-4ST2

Spinout *
All That I Am *
(US) RCA 47-8941
Released: September 13, 1966
* Recorded: Radio Recorders, Hollywood, February 17, 1966

Side TPKM 5311 : Spinout
Side TPKM 5307 : All That I Am
Brief History : Both songs were recorded February 21st, 1966 at MGM Sound Studios, Culver City.

Front Cover : Picture Sleeve.
Rear Cover : Picture Sleeve
Label : Black with silver lettering & dog on side.
Pressing Plant : Hollywood
Matrix Number Side 1 : TP - KM 5311 - 7S (Machine Stamped)
Matrix Number Side 2 : TP - KM 5307 - 7S (Machine Stamped)

*NOTE* Watch For Elvis Sleeve "Spinout" LP Album

Made By – AREA

Made By – The Decca Record Company Limited
Published By – Belinda

Matrix / Runout (Side A Printed Label): TPKM 5307
Matrix / Runout (Side B Printed Label): TPKM 5311
Matrix / Runout (Side A, Stamped): TPKM-5307-IC
Matrix / Runout (Side B, Stamped): TPKM-5311-IC
Rights Society: B.I.E.M. / GEMA
Other (Tax Code): K/T

Manufactured By – RCA Victor Argentina S.A.I.C.

Made in Lebanon

Matrix / Runout (Side A, Stamped): TPKM-5307-4S
Matrix / Runout (Side B, Stamped): TPKM-5311-4S
Rights Society: B.I.E.M.

* Recorded: Radio Recorders, Hollywood, February 16, 1966
** Recorded: Radio Recorders, Hollywood, February 17, 1966
*** Recorded: RCA Studio B, Nashville, May 26, 1966
**** Recorded: RCA Studio B, Nashville, June 12, 1966

Brief History : Spinout is the twenty-seventh album by Elvis Presley, released on RCA Victor Records in mono and stereo, LPM/LSP 3702, in October 1966. Recording sessions took place at Radio Recorders in Hollywood, California, on February 16 and 17, 1966. It peaked at #18 on the Top Pop Albums chart.

In early 1966, executives at RCA and the Colonel had arrived at the same conclusion. They could no longer expect records of only soundtrack recordings and session leftovers to perform as strongly as in the past. Popular music was rife with changes in the mid-1960s, and with chart dominance from The Beatles, Bob Dylan, and a host of others, Presley no longer reigned supreme in the marketplace. Soundtrack sales were plunging, shifting fewer units and peaking at lower positions on the chart.

But the Spinout sessions still adhered to the same formula of the past four years. Nine songs were recorded for the soundtrack, all of which appeared in the film. The songs derived from the standard pool of songwriters, their publishing rights signed over to Elvis Presley Music and Gladys Music, the companies owned by Elvis and the Colonel. One song "Stop, Look, and Listen" had been a recent b-side for Bill Haley & His Comets in February 1965. Two songs were released as a single the month before the film's premiere, the title track backed with "All That I Am," and although both sides charted independently the A-side just barely made the Top 40. Elvis performed the song "Adam and Evil" on stage in the film which features a long drum roll at the beginning. He makes reference to Adam and Eve in the Bible, that "Adam and Evil they go hand in hand / Eve taught him sin, that's the way it all began". Elvis clicks his fingers throughout the track.

Acknowledging shifts in taste, three additional tracks of a contemporary nature were added as a "special bonus" to bring the album up to a more acceptable running time. Recorded at RCA Studio B in Nashville, Tennessee during the sessions for his gospel album How Great Thou Art, two were rhythm and blues songs. The other was an original by Bob Dylan (publishing rights were, of course, not signed over to Presley and Parker), with a ballad from a later Nashville session in June. "Down in the Alley' had been released in 1957 by The Clovers, and Presley knew of and appreciated the Dylan song from the version on Odetta Sings Dylan by the folk singer Odetta. "I'll Remember You" had been a record by Don Ho, and reflected Presley's infatuation with Hawaii and its culture. Even with these inclusions, the album fared little better than its predecessors in 1966.

Dylan confessed to Rolling Stone in June 1969 that Presley's version of "Tomorrow Is A Long Time" was the cover of one of his songs that he "treasured the most." The three additional songs can be found on From Nashville to Memphis: The Essential 60's Masters, while three songs from the film soundtrack appeared on its sister compilation: "Spinout," "All That I Am," and "I'll Be Back."

Front Cover : Photo of Elvis. Title to the right. Catalogue number bottom left.
Rear Cover : 9 Photos of Elvis. Catalogue number top right Mono LPM 3702 / Stereo LSP 3702. Printed in U.S.A. bottom right.
Label : Black with silver lettering & dog on top. RCA Victor Logo in white.
Side 1 : Right side has "Side 1". MONAURAL at bottom.
Side 2 : Right side has "Side 2". MONAURAL at bottom.
Pressing Plant : Rockaway
Matrix Number Side 1 : TPRM - 5314 - 1S (Machine Stamped) A4 (Hand Etched)
Matrix Number Side 2 : TPRM - 5315 - 2S B2 (Machine Stamped)

*NOTE* Hype Sticker attached to announce a 11 X 11 inch photo that was given away free for a period during this release. It was enclosed inside the album. Side 2 "MGM" movie announcement.

Red Vinyl Taiwanese

Matrix / Runout (A): J-424-A, TPRS5316
Matrix / Runout (B): J-424-B, TPRS5317

(US) RCA 447-0653 (45rpm)   Easy Question / It Feels So Right
(US) RCA 447-0654 (45rpm)   I'm Yours / Long Lonely Highway

If Every Day Was Like Christmas *
How Would You Like To Be
(US) RCA 47-8950
Released: November 15, 1966
* Recorded: RCA Studio B, Nashville, June 12, 1966

Side TPKM 0984 : If Everyday Was Like Christmas
Side PPKM 2722 : How Would You Like To Be
Brief History : If Everyday Was Like Christmas was recorded June 10th, 1966 at RCA Studios, Nashville & How Would You Like To Be was recorded October, 1962 at MGM Sound Studios, Culver City.

Front Cover : Picture Sleeve.
Rear Cover : Picture Sleeve
Label : Black with silver lettering & dog on side.
Pressing Plant : Hollywood
Matrix Number Side 1 : TP - KM 0984 - 7S (Machine Stamped)
Matrix Number Side 2 : PP - KM 2722 - 7S (Machine Stamped)

*NOTE* Ask For Elvis Sleeve "New RCA Victor Stereo 8 Catalog". First known Hollywood pressing. Discovered by Declan Gibbons 9pm 11/05/2018.

Manufactured By – AREA

How Would You Like To Be is from the MGM picture "It Happened At The World's Fair".
1e ℗ublication 1966.

Matrix / Runout (Label side A): TPKM 0894
Matrix / Runout (Label side B): PPKM 2.722
Matrix / Runout (Runout Side A): TPKM 0894 B1
Matrix / Runout (Runout Side B): PPKM 2722 B1
Rights Society: BIEM

Lacquer Cut At – TELDEC-Studio, Hamburg
Pressed By – Teldec-Press GmbH
Lacquer Cut By – S*
V3 label

How Would You Like To Be is from the MGM picture "It Happened At The World's Fair".

Rights Society (Boxed): GEMA
Matrix / Runout (Label side A): TPKM-0984
Matrix / Runout (Label side B): PPKM-2722
Matrix / Runout (Runout side A): 45-TPKM-0984-X
Manufactured In Germany S-H
Matrix / Runout (Runout side B): 45-PPKM-2722-X D
Manufactured In Germany S-H

Published By – Atlantic Music Corp.
Published By – Pam-Bar Music Co.
Published By – Ben Raleigh Music Co.
Phonographic Copyright – BMG Music
Copyright – BMG Nederland BV
Distributed By – BMG Records
Distributed By – BMG Ariola

Publishers
Side A : Atlantic Music Corp.
Side B : Pam-Bar Music Co.
Side B : Ben Raleigh Music Co.

Specially made for Dutch fans in cooperation with the Dutch Elvis Presley Fan club 'It’s Elvis Time'

℗ 1966, 1963 BMG Music. 1994 BMG Nederland BV

Labels
BMG and RCA are shown on rear sleeve artwork
RCA on labels.

Barcode (Scanned): 743212521474
Barcode (Text): 7 43212 52147 4
Rights Society: BMI

Manufactured By – RCA Of Australia Pty. Ltd.
Published By – Boosey & Hawkes (Aust.)
Published By – Belinda Music (Aust) Pty. Ltd.

Issued in picture sleeve.

Matrix / Runout (Side A stamped): TPKM 0984* A1A1
Matrix / Runout (Side B stamped): PPKM 2722* A1A1